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(Friday) Theater Roundup

Note: Because of a posting error, this week's Theater Roundup didn't make its normal appearance on Thursday morning. Here it is below:

Michael Seitz and Matthew Crehan Higgins star in Buffalo United Artists' production of "The Normal Heart." Photo by Robert Kirkham / The Buffalo News.

"The Normal Heart," through June 8 in Buffalo United Artists Theatre. ★★★

From the review: "A compelling production of the 1985 play, directed by Javier Bustillos, opened Friday night in the Buffalo United Artists Theatre, serving as a chilling reminder of that shameful period in American history for those who lived through it and a shocking primer on latent human cruelty for those who didn’t." --Colin Dabkowski

At the Shaw Festival:


"Guys and Dolls," through Nov. 3 in the Festival Theatre. ★★★½

From the review: "For this production, directed by Tadeusz Bradecki with molecular fidelity to the original material and choreographed to within a millimeter of its life by Parker Esse, the Shaw has rounded up a phenomenal cast." --Colin Dabkowski


"Major Barbara," through Oct. 19 in the Royal George Theatre. ★★★

From the review: "Director Jackie Maxwell’s production of Shaw’s long-winded but monumentally engaging play about the tug-of-war between public and corporate interests sets out to rescue Undershaft from her status as a weak protagonist all too willing to mold her ideals to the arguments of others. Alas, despite Maxwell’s laudable efforts and a remarkable performance from the magnetic Nicole Underhay in the title role, the show fails to transform Shaw’s projection screen of a protagonist into a living, breathing human." --Colin Dabkowski

Claire Julien and Julia Course star in the Shaw Festival's production of "Our Betters."

"Our Betters," through Oct. 27 in the Royal George Theatre. ★★★

From the review: "The play, which explores the efforts of newly wealthy Americans to seek ancient British titles and the status that accompanies them, is timed to exploit our culture’s renewed obsession with the roaring ’20s and the surrounding decades. The play, though a bit clunky in its conceit, is positively 'Gatsby'-esque in its attempt to uncover the emptiness of the British aristocracy and the equally vapid American climbers who try to invade it." --Colin Dabkowski


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